Celestial Gardener in the Neon City

bauhaus geometric poster, tense cinematic atmosphere, a celestial gardener tending stars in a neon-lit rainy megacity, vertical 4:5 composition, close cropped mid-length portrait from upper torso to lower legs, slightly elevated viewpoint, central figure dominating most of the frame as a sculptural silhouette of wet clay with slick reflective surfaces and finger-pressed texture, elongated apron of folded meteor-petal fabric, angular gloves, orbital pruning tools suspended by thin wire arcs, no realism background reduced to strict geometric architecture: towering rain-soaked avenues, luminous signage rendered as stacked rectangles and circles, tram cables as crisp diagonal lines, puddles as ivory ellipses, distant facades flattened into modular grids, soft sage green and ivory as dominant palette with sparse acid light accents hidden deep in the city haze the star-tender appears androgynous and otherworldly, shaved temples with a crown of tiny glowing seedlings, face built from simplified planes, calm but strained expression, gaze turned off-frame as if tracking a falling constellation, lips slightly parted, one hand lifting a cluster of infant stars from a shallow clay basin, the other hand pinching a pruning hook toward a spark about to collapse, shoulders taut, posture poised between ritual care and imminent danger rain streaks become repeating linear motifs, cinematic hard lighting from overhead signage and reflected street glare, wet clay skin catching broad ivory highlights across cheek planes, collar ridge, forearms, and knuckles, deep sage shadows pooling in cut angles and under geometric folds, subtle cracks in the clay surface suggesting pressure and fragility, suspended droplets around the stars like precise compass marks foreground includes rounded clay planters shaped like abstract moons, fractured tiles, fallen luminous seeds dissolving into rainwater, no decorative flowers, no domestic intimacy, instead a charged urban sanctuary where cosmic horticulture collides with machine-city rhythm, poster-like negative space, strong contrast, disciplined bauhaus layout, graphic yet richly tactile, singular and surreal